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Cinematic looks for your iPhone and iPad movies.

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    The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
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  • Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera and DIGIC 4 Imaging (Body Only)
    Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera and DIGIC 4 Imaging (Body Only)
    Canon
  • Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)
    Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)
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  • Adobe After Effects CS5 Visual Effects and Compositing Studio Techniques
    Adobe After Effects CS5 Visual Effects and Compositing Studio Techniques
    by Mark Christiansen
  • Redrock Micro Captain Stubling DSLR Bundle, with Baseplate & Lens Gear Size A 32 Pitch, Black
    Redrock Micro Captain Stubling DSLR Bundle, with Baseplate & Lens Gear Size A 32 Pitch, Black
    Redrock Micro
  • Zoom H4n Handy Portable Digital Recorder
    Zoom H4n Handy Portable Digital Recorder
    Zoom
Tuesday
Feb212006

AE7 on fxguide

Hear Steve Kilisky and Dave Simons discuss After Effects 7.0 on vfxguide's podcast. They discuss the new features and touch on HDR, but in a subsequent episode yours truly will be picking up where they left off and getting into some of the nitty griity of working in linear floating point in AE7. I'm a podcast addict and excited to finally be on one!

Fxguide's podcast is one of my favorites and an excellent knowledge resource. I highly recommend you subscribe (iTunes link) and check out the archives, especially the back-to-back episodes on the effects in Batman Begins.

Reader Comments (1)

Great to hear that fxguide picked up on my tip of interviewing you about the float comping in AE. If it wasn't for eLin and your persistance in the beta program we probably wouldn't have seen 32-bit in AE for a while!

February 21, 2006 | Unregistered CommenterJonas Hummelstrand
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