Slugline

Simple, elegant screenwriting.

Needables
  • Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic
  • TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM
  • The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    by Stu Maschwitz

Entries in Adobe After Effects (82)

Saturday
May212011

Dear Some (French) Nerd: Thanks!

Literally a thousand years ago* I wrote a post titled Dear some nerd: Please port the Box2D open-source physics engine to an Adobe After Effects Script. I’m not sure if that’s exactly what Motion Boutique has done with Newton, but what they’ve made looks incredibly fun and usable.

It speaks well to the usability of the After Effects plug-in that this demo (embedding disabled for some reason) makes perfect sense even if you don’t speak French.

Anyone know the release date? Price?

* Literally.

Thursday
Jan272011

Color Correcting Food with Colorista II

My friend Pete came by with some Canon 7D (UPDATE: Oops, it’s the 5D Mark II) video and stills. We sat together for about an hour grading the video to match the stills, which had been professionally shot and processed by photographer Eric Wolfinger. We used After Effects CS5, Colorista II, and the DV Rebel Tools scripts from The DV Rebel’s Guide.

What I find interesting about this session is that it provides one answer to a common question: “Why doesn’t the video I shoot with my DSLR look as good as the stills?” Setting aside numerous technical issues, a big part of it is that stills shooters, as a rule, color correct their shots before letting the world see them.

Here’s the session:

And here’s the before/after:

Tuesday
Jan112011

BG Renderer for After Effects

 

This is really cool.

BG Renderer is an Adobe After Effects script by Lloyd Alvarez that allows you to keep working while your renders process in the background. It automates the process of launching aerender from the command line, leaving your interactive AE session unaffected. On todays multiprocessor and multi-core machines, even laptop, this luxurious experience comes with little performance penalty.

That, all by itself, is pretty much awesome. But wait, there’s more. The Pro version of the script allows you to set up post-render actions, such as emailing or text messaging yourself a note to announce the completed render. You can attach the log file to the email if you like.

You can also configure Growl notifications. You can then use any of several Growl-compatible iPhone apps, such as Prowl or Boxcar, to send push notifications to your phone.

If there’s anything better than continuing to work while After Effects renders in the background, it’s sitting in a café and having your phone tell you that an After Effects render is complete back at your desk.

All of this configured in a beautiful and intuitive GUI that docks in with the rest of the UI and saves with your custom workspaces. You’d think it was a native After Effects feature.

A beta version of this script kept me sane when I was onlining BRICK & STEEL. It’s difficult to describe just how quickly this little panel will become an essential part of your After Effects workflow. There are more features than what I’ve described here, many of which have dedicated video tutorials over at aescripts.com.

The basic version is $4.99 and the Pro version is $19.99 (see update below). Does that sound expensive? Think of it as buying Lloyd a beer or two — something you’ll be dying to do after you’ve used the free trial, which offers the full Pro functionality for two weeks.

BG Renderer at aescripts.com

Friday
Apr302010

CS5 Is Alive, And Red Giant is There on Day One

Adobe Creative Suite 5 is out today, and Red Giant Software has several of their most popular plug-ins available for upgrade to 64-bit today. Check Red Giant’s 64-bit FAQ here, and a compatibility chart here.

The day-one upgrades are: 

  • Magic Bullet Colorista 1.1
  • Magic Bullet Mojo 1.2
  • Trapcode 3D Stroke 2.6
  • Trapcode EchoSpace 1.1
  • Trapcode Form 1.1
  • Trapcode Horizon 1.1
  • Tracpdoe Lux 1.1
  • Trapcode Particular 2.1
  • Trapcode Shine 1.6
  • Trapcode Soundkeys 1.2
  • Trapcode Starglow 1.6
  • Trapcode Suite 10

With more on the way soon. I want to personally thank the amazing team at Red Giant for their hard work in getting these updates out.

If you’re looking to upgrade your Production Premium to CS5, I’ve created a convenient store page here. Looking to upgrade your Master Collection? That’s here. If you have some other permutation of Adobe CS5 needs, including student/teacher editions, you can get started here.

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