Slugline

Simple, elegant screenwriting.

Needables
  • Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic
  • TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM
  • The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    by Stu Maschwitz

Entries in Color (103)

Tuesday
Jan312012

FCP X Updated, Magic Bullet Looks 50% Off

Final Cut Pro X was essentially version 1.0 of an entirely new app, and it shipped with enough features absent that many questioned the continued use of the “pro” name. Today Apple released a free update to FCP X that restores many of those missing features, including:

  • Import FCP 7 projects via 7toX
  • Media re-linking
  • Multicam editing
  • Video out via Blackmagic and AJA PCIe cards, as well as Thunderbolt devices

In this way FCP X is following the Apple pattern that is as hated as it is admired: if you can’t make it perfect, don’t release it. Some of these reinstated features are better than they ever were in FCP 7. Multicam tracks can be synced automatically based on audio waveforms, or even metadata. The new chroma keyer is greatly improved.

All these new and not-so-new features are wonderful to see, and I’m delighted that Apple is advancing FCP X so quickly. But what makes me happiest today is that this new release represents the collaborative effort between Apple and Red Giant to resolve the issues that were preventing Magic Bullet Looks 2 from working properly. Starting today, Looks users can download a free update that enables full FCP X compatibility.

Red Giant is so excited about this that they’ve put Looks on sale for 50% off (that’s $199). For every platform.

So if you haven’t tried FCP X or Magic Bullet Looks, today is a great day to do either, or both.

The 50% off sale (offer code LOOKSFCPX50) is for the next seven days. Magic Bullet Mojo already works wonderfully in FCP X, and is still 50% off—only $49.

Tuesday
Nov292011

Holiday Gift Ideas 2011

I’m hard to shop for. If I want something, I tend to buy it. This annoys and distresses those around me. But there is an opportunity lurking in that situation—every once in a while, I get the delightful surprise of a gift I didn’t even know I wanted.

Usually socks.

Looking for gifts for the DV Rebel in your life? Or for an easy link to send those flummoxed by your bizarre filmmaking nerd lifestyle? Here are some ideas.

Industrial Light & Magic: The Art of Innovation

Another in the must-have series of big-ass ILM books. Enough said.

Visual Stories: Behind the Lens with Vincent Laforet

It’s rare that a photographer is even consciously aware of the specifics of their style and technique. Rarer still that a world-class photographer with such an awareness has any interest in sharing these insights with the world. And then there’s the rarest of all cases: A world-class photographer who can inspire and educate us with truly revelatory words about some jaw-dropping pictures.

Rare as in, just this one book. Vincent slam dunked this one.

Screenwriting Tips You Hack

Images on the screen start as words on a page. A blank, terrifying, soul-crushing page. I’ve been following and enjoying Xander Bennett’s Screenwriting Tips You Hack blog, and now he’s compiled the best of it into a book. If had just been a collection of his pithy and insightful blog posts, that would have been great, Instead its, like, an actual book type book that expands on the blog’s best bits. Even better.

The Art of Pixar: The Complete Color Scripts and Select Art from 25 Years of Animation

Animation studios use something called “color scripts” to plan out the color palette of a story. These long, filmstrip-like pieces of artwork are loose in detail but rich in storytelling color.

In other words, they are my favorite thing in the world. There’s so much beauty and inspiration in this book that it’s a bit overwhelming. That’s why I keep it in the bathroom.

Dot

Strap this little gumdrop to your iPhone 4 or 4S, download the companion app, and capture 360º panoramic video.

On your telephone.

For $79.

I need to sit down.

The DV Rebel’s Guide

Is it possible that you still know someone who doesn’t have this book? Heck, maybe the thing to do is buy the friend who already has it the Kindle edition. Speaking of which…

Kindle

This might be the Kindle year for me. I love my iPad, but I also love the imaginary notion that I’ll someday be somewhere sunny and the iPad will suck for reading there. I’ve also recently become infatuated with the indie author phenomenon, and I feel like simply owning a Kindle helps that movement grow.

I changed by mind since the last Kindle post. I think the simplest, cheapest one is the one to get. But I’d splurge and grab the one without ads.

A 50mm Lens

Please stop with all this “roughly what the human eye sees” baloney. The reason 50mm lenses are great is that they are fast and cheap. On anything but a full-frame DSLR, a 50 is a portrait lens. You know, for taking pictures of people. Which are the only pictures anyone cares about.

If you have a friend who has a DSLR with the crappy kit glass, get them the thrifty fifty for Canon or Nikon, show the the Aperture-priority mode on their camera, and transform their photography overnight from information gathering to emotion preserving.

Lightroom

Another photography life-changer. Whatever you’re using for your photography, if it’s not Lightroom, you’re doing it wrong.

Incase Origami Workstation for iPad

I’m writing this blog post using my iPad 2 (a great gift idea as well of course, if you are a Super Pimp Monster of Giving), Elements, and Apple’s Bluetooth keyboard. When I travel for less than three days (a carefully-tested and validated threshold), I don’t bring my laptop. The reason this works is that if it’s more than one day, I bring the Bluetooth keyboard. But the keyboard is a bit awkward to pack and lug around. In fact, mine has gotten a bit beat up, with some keys held on by tape and school prayer.

Enter the Origami Workstation. It’s a case for your keyboard, not your iPad. But when you open it, it becomes a stand for the iPad. It’s simple, brilliant, and best of all, non-commital. Your iPad never gets connected to the thing, it just rests on top, in whichever orientation you like. It even works with iPads in cases (mine is in the Apple SmartCover, which is so wonderful that there are days I don’t even think about how overpriced it is).

Apps

Speaking of Apple stuff, everyone’s favorite evil company makes it easy to gift apps for both iOS and Mac. This is a really cool thing to do, and it’s often cheap as bad coffee.

  • Of course I’ll start by suggesting that if you still have a friend who doesn’t have Plastic Bullet, Noir, or Movie Looks, you can set them on the path of righteousness for just a few bucks.

  • Similarly, giving Plastic Bullet for Mac to your friend is a gentle but firm way of saying “You have no idea what to do with five dollars, do you?”

  • I mentioned I’m writing this using Elements. It’s a great little iOS writing app. Thanks to SPMD, I’ll probably write a good chunk of my next screenplay on it.

  • On the Mac side, Byword is a simply lovely app for writing. Both it and Elements work beautifully with Markdown. Life is good in textopia.

  • Here’s a fun double-whammy. Order your friend a Wacom Bamboo Stylus for iPad and the ArtRage painting app. It’s like handing them a license to smoke clove cigarettes.

  • The gift of a Kindle is an invitation to read more. But maybe you don’t really care, like $100 care, that your friend reads more. Maybe you more like $5 care. In which case, buy her Instapaper. It’s the best app for reading web articles on your iOS device, and it’s integrated with Twitter. The next time someone posts a link to a cool article that you don’t have time to read right now, you’ll tap “Read Later” and it gets saved to your Instapaper library. Or you do it from your web browser using an easy-to-install toolbar bookmark. Later, you can read the day’s articles in a lovely book-like presentation, even when away from your internet connection. This is a home-pager for me on both my iPad and iPhone.

    Either this or a smack in the head would be a perfect gift for your friend who types “TLDR” a lot. Your choice.

Monsters

Inspiration. It’s a strange thing. Sometimes a great movie inspires me, other times, a festival of back-to-back terrible films is what it takes to get me writing like the wind. But the film that has kicked my ass up and down the block with shameful, abusive inspiration lately is Monsters by Gareth Edwards. He flew to Mexico and shot this movie himself with a crew of fewer than ten, including his two lead actors. He had a loose plan and a ton of faith in his ability to make something out of nearly nothing. In his own words:

I guess creativity is just being stupid enough not to realize you can’t do something.

The Blu-ray is gorgeous, and packed with supplemental features. I keep the slipcase tacked to my office wall.

Happy holiday shopping from Prolost!

Oh, wait—one more:

Point-Blank Sniper Gear

The man’s a myth.

Tuesday
Sep272011

What Adobe Should Do With IRIDAS SpeedGrade

SpeedGrade 2009

Earlier this month Adobe announced the purchase of “certain assets” from a German company called IRIDAS, including their SpeedGrade software color correction system.

In many ways, this is a lot like Apple’s purchase of a small company called Silicon Color, announced in October of 2007. Like Silicon Color’s Final Touch, which became Apple Color, SpeedGrade is a powerful, but oddly clunky, standalone application that does nothing but GPU-accelerated color correction. As was the case with Final Touch, SpeedGrade is not among the most popular systems for professional film DI, but its featureset is comparable to those that are, such as Blackmagic Design’s DaVinci Resolve and Autodesk Lustre.

Apple never sold Color (once a $25,000 purchase) on its own, instead choosing to bundle it with Final Cut Studio. Similarly, Adobe seems to view IRIDAS’s color correction technology as a value-add to its existing suite of video products. From the blog of Adobe’s Todd Kopriva:

Not only have we listened to your requests for better, faster, and more powerful color grading and finishing tools—but we’ve also looked ahead to the future needs of professional video, including HDR (high dynamic range) and raw video workflows.

Adobe, being a publicly-traded company, doesn’t talk openly about its product plans, but one could imagine possible futures for SpeedGrade under Adobe’s wing by looking at other technologies Adobe has acquired over the years. Audition, for example, was added to the video suites right away, but took many years to be truly integrated. Others, such as Curious gFx Pro, seemed to disappear entirely.

SpeedGrade’s fate at Adobe is interesting to me both as a user and a designer of color correction tools. While Magic Bullet Looks is popular because it’s powerful, unique, and fun, Colorista—especially Colorista II—has become popular for a very different reason—it fills a void. It provides professional color correction in your favorite NLE and in After Effects, apps that mysteriously lack solid, user-friendly, telecine-style color control.

When third-party software fills a notable gap in a product line, it is naturally at risk of being rendered obsolete. What happens to Colorista when the makers of its host applications finally start taking color seriously? I’ll answer that in a bit. But first, let’s get back to the two hats that I wear: “user” and “developer.”

That was sort of a trick set-up. The truth is, I only wear one hat. I’m a user. I want what’s best and easiest. The difference between me and most users is simply that when I can’t find what’s best and easiest, I become obsessed with designing it—and I have a direct line to a wonderful team of people who can help me make it. But I’m always happy to have my creations rendered obsolete by advances in technology. Magic Bullet was originally a tool for converting interlaced video to 24p. But when a team of Panasonic engineers showed me a prototype of what would become the DVX100 and asked me what features I considered “must-haves,” I said 24p before they even finished talking.

As a user, I’d be delighted to have Adobe build in class-leading utility color correction to After Effects and Premiere. As a developer, I’ll be thrilled at the challenge of continuing to build great things that you want to use, even as the shortcomings we once shored up seem to disappear. Colorista has always “competed with free,” and I enjoy that spirit of healthy competition. It’s fun for me and great for us users.

So with that complex depiction of my two-hats-that-are-really-one out of the way, here is my advice for Adobe on how to handle their new acquisition.

  • Exporting a Premiere Pro timeline into SpeedGrade is a good and natural start. My guess is that Adobe agrees, based on their recent “partnering” with Automatic Duck.

  • The biggest effort here will be some kind of translation from IRIDAS’s “unique” user experience into a human-usable interface. Seriously. You can’t know how weird this software is until you try it. It makes Color 1.0 look like Delicious Library—although it had been getting better.

  • But moving a project to a dedicated color app is simply not the way of the future for most users. Apple has the right idea by killing Color and making color correction a native property of every clip in a FCP X timeline—even if those new color controls are—how should I say this—a Colorista opportunity.

    This is important, so I’ll say it another way: Apple screwed up by making the FCP X “Color Board” less industry-standard (I mean sure, dream up a better way—but it has to actually be better), but their decision to make color controls part of the settings inherent to any clip in the timeline is spot-on.

  • It’s often desirable to move from a dedicated editing environment to a dedicated finishing app, but (again, for most projects) not to a dedicated color-with-no-other-finishing-capabilities app. So:

  • Encapsulate the SpeedGrade color correction controls into clip properties that make sense in Premiere. This should not be an “effect” any more that we should have to apply an effect to change an audio clip’s volume or stereo panning. In other words, do what Apple did in FCP X.

  • Build a workflow that allows users to begin color work in Premiere with these controls, and then fine-tune it in SpeedGrade. Very much like what Magic Bullet users are doing now with Premiere Pro and After Effects.

  • Make all of the color controls that we like in SpeedGrade work in After Effects as well. Here it’s OK to do this via effects. Give AE an NLE-style timeline and a more realtime disposition where possible. Enable AE to import both Premiere Pro projects with color settings and also SpeedGrade sessions with more advanced color adjustments.

  • Premiere becomes a place where color is ubiquitous and useful.

  • SpeedGrade becomes the place where color alone is done quickly and well.

  • After Effects becomes the place where color is only a part of the complete finishing power.

In short, it’s a three-step process:

  1. Ship it.
  2. Integrate it.
  3. Render it obsolete.

If you do that Adobe, you’ll have created the true home movie making studio for which I’ve always said you already have the ingredients.

In the meantime, I’ll be there to fill the gaps and the non-gaps alike, with filmmaking tools designed out of the day to day needs of a filmmaking nerd.

Speaking of which, Red Giant posted an update to Magic Bullet Suite today (v11.1) that includes bug fixes, Sony Vegas Pro compatibility (!), and Red Giant Link, an updater designed to make sure you don’t miss important updates hidden at the bottom of long-winded blog posts.

Tuesday
Aug232011

Movie Looks HD Free for Two Days

In conjunction with the Original iPhone Film Festival, Movie Looks HD is free for two days. Get it!

More info here.

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