Prolost Store

The easiest way to support Prolost is to begin your Amazon, iTunes, Mac App StoreZacuto or B&H shopping here. You can drag those links to your bookmarks bar so you never forget. It costs you nothing and it really helps. Thanks!

Prolost & Found (search)
Subscribe

 

Want to know what it’s like to almost never get email? Subscribe to the Prolost mailing list!

Sponsor

The Apps

Slugline. Simple, elegant screenwriting.

Noir. Cinematic black-and-white and lighting control for your iPhone and iPad.

Plastic Bullet. An infinite variety of vintage camera looks. Now available for Mac.

Needables
  • Canon EOS 5D Mark III 22.3 MP Full Frame CMOS Digital SLR Camera (Body)
    Canon EOS 5D Mark III 22.3 MP Full Frame CMOS Digital SLR Camera (Body)
    Canon
  • The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    by Stu Maschwitz
  • TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM

Entries in iPad (18)

Thursday
May022013

Adobe Shows Off That Lightroom Thing I Described

Lightroom product manager Tom Hogarty appeared on Scott Kelby’s show The Grid and showed a “technology preview” of Creative Cloud-synced raw photo editing on an iPad.

Sounds familiar!

And although Tom mostly showed visual editing, necessary for a sexy demo, he spent a good deal of time talking about the value of organizational tools such as sorting and reading, which is where I think the real value lies, as I wrote last year:

What I want from a mobile Lightroom companion is a way to utilize whatever idle time I might have here and there for productive work on my main Lightroom Catalog. I don’t want to send new photos to it. I don’t want to adjust exposure and color temperature. I just want to do what I never seem to have enough time to do at home: housekeeping.

Half the reason I use Lightroom over the other DAM/raw processing tools out there is that I like it better. The other half is that I love the way Adobe engages with the community. You can have a relationship with Adobe, and software is a relationship.

So thanks for the tease Tom! Looks great. Just please dodn’t get so wrapped up in the sexiness of mobile editing that you forget about the incredible value of sorting and tagging on the go.

Tuesday
Nov272012

Reading Screenplays on the iPad mini

John August responds to the question of whether the iPad mini is good for reading screenplays:

It is. It’s really good.

I agree completely. Even without a retina display, the mini is a thoroughly pleasant device for reading. And dictating script notes via Siri feels enough like living in the future that I barely miss my flying car.

John’s feelings about the inexpensive but unpretty GoodReader app match mine, and my recommendation hasn’t changed since I wrote about reading screenplays on the iPad Maxi: Spend a few extra bucks and get PDF Expert. It syncs with Dropbox, exports annotations as text files, and won’t hurt your eyes. My only complaint is an old one: with no ability to offset page numbering (to account for page 1 of the PDF corresponding to the unnumbered title page of a screenplay), your exported annotations will be off by one page.

Small price to pay for a hundred screenplays in your pocket.

Friday
Aug312012

Final Draft Writer vs. the Innovation of Less

Final Draft, Inc. released their much-anticipated iPad screenwriting app this week. Called Final Draft Writer, it promises complete compatibility with the desktop app, and near-feature-parity as well.

We’ve known this was coming for a while. As Final Draft, Inc. was beginning work on this app, they solicited the opinions of screenwriters on what capabilities it must have. To no one’s surprise, we wanted it all—the full Final Draft experience. And faced with a pile of surveys with nearly every box checked, Final Draft, Inc. hunkered down and did exactly what we asked for.

First Impressions

The touch interface for drafting a Scene Heading is nice. And there’s a clever extra with the omnipresent scroll bar—as you drag it, a callout displays not just the page number, but Scene Headings as well. Although I don’t believe in Final Draft’s reliance on Scene Headings as the sole organizational tool for writers, this is still a welcome touch.

The app is full of details like that—details that show this to be a sincere and earnest effort to create a best-in-breed mobile screenwriting tool.

On the negative side, the app’s performance is not so great. Writer promises a perfect match to Final Draft’s industry-standard pagination, revisions management, and scene numbering, as well as some nifty bells and whistles, such as character highlighting and colored rendering of colored pages. All of this would seem to come at the cost of a noticeable lag as you type.

Final Draft Writer supports Dropbox, but in a manual push-and-pull kind of a way. If you are accustomed to apps that sync with Dropbox automatically as you work, Writer’s method will feel antiquated and un-iPad-like.

The Price

John August told Macworld:

“I’m rooting for Final Draft (and Scrivener, and Movie Magic Screenwriter),” August told us, “because I want to make sure there’s always a market for high-end professional screenwriting apps. The race to the bottom in software pricing is dangerous.”

I couldn’t agree more. There’s nothing wrong with Final Draft charging $50 for this app ($20 off until the end of September). Anyone who needs it can afford that. Conversely, if it seems expensive to you, then there are numerous other options.

Numerous Other Options

Of them, I would say that the recently-updated Scripts Pro and the feature-rich Storyist seem to have broken away from the pack as clean and reliable, FDX-compatible screenwriting tools for iOS.

It’s hard to imagine typing a screenplay without relying on buttons like these. Unless you’ve ever seen a typewriter.

But when I look at these apps’ pop-up menus or little rows of buttons for assigning element types, I no longer see the most minimal screenwriting UI I can imagine. With Fountain, the notion of choosing a “container,” and then filling it with text, is obsolete. Instead of constantly reaching for the mouse or touchscreen to declare what you’re about to write, you spend all your time with your hands on the keyboard, just writing it.

A Fountain-format screenplay in Byword for iPad

Screenwriting Without the Tab Key

The innovation of the iPad was that it was a computer that intentionally did less. Like a fixed-gear bicycle or an electric car, it allowed us to more easily do 90% of what we needed to, by saving us from wading through a phalanx of features designed for those occasional 10% requirements. For possibly the smallest imaginable example: the iPad’s touch keyboard lacks something most screenwriters use a thousand times per day: a Tab key.

There’s no “innovation of less” with Final Draft Writer. It ticks every one of the feature checkboxes those surveys reported. The result is impressive, but it feels like 10 pounds of app in a 1.5-pound bag. And like every other iPad screenwriting app I’ve seen, it grafts a Tab key onto the iPad keyboard layout.

On the other hand, if you want to write a screenplay on your iPad without all those annoying screenwriting features getting in your way, consider Fountain, along with a minimal text app such as Byword, Elements, or Writing Kit. Screenwriting without the need of a Tab key is a rather liberating experience.

The name of Final Draft’s iPad app is actually oddly apt—it invites the question: Are you a “Final Draft writer,” or a screenwriter?

Because the days of those notions being synonymous are rapidly fading to black.

Monday
Apr092012

Plastic Bullet for iOS on Sale

They did what to my instathingy?

Facebook just bought Instagram for $1 billion. A lot of Instagram users are worried about what will become of the service they love.

The free service that they somehow thought would never go away or change. I guess they never read this article.

I may not have $400 million in my pocket, but I’m truly proud to work with a great company called Red Giant that has a crazy business model: They make something they hope you’ll love, sell it to you at fair price, and support it like crazy.

Plastic Bullet for iOS is on sale today for ¢99.