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Red Giant Color Suite, with Magic Bullet Looks 2.5 and Colorista II

  • Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony Alpha a7S Compact Interchangeable Lens Digital Camera
  • Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
  • TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM DR-100mkII 2-Channel Portable Digital Recorder
  • The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    by Stu Maschwitz

Entries in iPad (20)


Final Draft Writer vs. the Innovation of Less

Final Draft, Inc. released their much-anticipated iPad screenwriting app this week. Called Final Draft Writer, it promises complete compatibility with the desktop app, and near-feature-parity as well.

We’ve known this was coming for a while. As Final Draft, Inc. was beginning work on this app, they solicited the opinions of screenwriters on what capabilities it must have. To no one’s surprise, we wanted it all—the full Final Draft experience. And faced with a pile of surveys with nearly every box checked, Final Draft, Inc. hunkered down and did exactly what we asked for.

First Impressions

The touch interface for drafting a Scene Heading is nice. And there’s a clever extra with the omnipresent scroll bar—as you drag it, a callout displays not just the page number, but Scene Headings as well. Although I don’t believe in Final Draft’s reliance on Scene Headings as the sole organizational tool for writers, this is still a welcome touch.

The app is full of details like that—details that show this to be a sincere and earnest effort to create a best-in-breed mobile screenwriting tool.

On the negative side, the app’s performance is not so great. Writer promises a perfect match to Final Draft’s industry-standard pagination, revisions management, and scene numbering, as well as some nifty bells and whistles, such as character highlighting and colored rendering of colored pages. All of this would seem to come at the cost of a noticeable lag as you type.

Final Draft Writer supports Dropbox, but in a manual push-and-pull kind of a way. If you are accustomed to apps that sync with Dropbox automatically as you work, Writer’s method will feel antiquated and un-iPad-like.

The Price

John August told Macworld:

“I’m rooting for Final Draft (and Scrivener, and Movie Magic Screenwriter),” August told us, “because I want to make sure there’s always a market for high-end professional screenwriting apps. The race to the bottom in software pricing is dangerous.”

I couldn’t agree more. There’s nothing wrong with Final Draft charging $50 for this app ($20 off until the end of September). Anyone who needs it can afford that. Conversely, if it seems expensive to you, then there are numerous other options.

Numerous Other Options

Of them, I would say that the recently-updated Scripts Pro and the feature-rich Storyist seem to have broken away from the pack as clean and reliable, FDX-compatible screenwriting tools for iOS.

It’s hard to imagine typing a screenplay without relying on buttons like these. Unless you’ve ever seen a typewriter.

But when I look at these apps’ pop-up menus or little rows of buttons for assigning element types, I no longer see the most minimal screenwriting UI I can imagine. With Fountain, the notion of choosing a “container,” and then filling it with text, is obsolete. Instead of constantly reaching for the mouse or touchscreen to declare what you’re about to write, you spend all your time with your hands on the keyboard, just writing it.

A Fountain-format screenplay in Byword for iPad

Screenwriting Without the Tab Key

The innovation of the iPad was that it was a computer that intentionally did less. Like a fixed-gear bicycle or an electric car, it allowed us to more easily do 90% of what we needed to, by saving us from wading through a phalanx of features designed for those occasional 10% requirements. For possibly the smallest imaginable example: the iPad’s touch keyboard lacks something most screenwriters use a thousand times per day: a Tab key.

There’s no “innovation of less” with Final Draft Writer. It ticks every one of the feature checkboxes those surveys reported. The result is impressive, but it feels like 10 pounds of app in a 1.5-pound bag. And like every other iPad screenwriting app I’ve seen, it grafts a Tab key onto the iPad keyboard layout.

On the other hand, if you want to write a screenplay on your iPad without all those annoying screenwriting features getting in your way, consider Fountain, along with a minimal text app such as Byword, Elements, or Writing Kit. Screenwriting without the need of a Tab key is a rather liberating experience.

The name of Final Draft’s iPad app is actually oddly apt—it invites the question: Are you a “Final Draft writer,” or a screenwriter?

Because the days of those notions being synonymous are rapidly fading to black.


Plastic Bullet for iOS on Sale

They did what to my instathingy?

Facebook just bought Instagram for $1 billion. A lot of Instagram users are worried about what will become of the service they love.

The free service that they somehow thought would never go away or change. I guess they never read this article.

I may not have $400 million in my pocket, but I’m truly proud to work with a great company called Red Giant that has a crazy business model: They make something they hope you’ll love, sell it to you at fair price, and support it like crazy.

Plastic Bullet for iOS is on sale today for ¢99.


What I’d like to see in a Lightroom iPad Companion App

I get the sense that Adobe is thinking a lot about tablets and Photography. They’ve released Photoshop Touch for iPad, as well as Carousel Revel, which is like a cloud-based Lightroom-light that syncs across mobile and desktop platforms.

Third-party Lightroom users have also tried to bolster their own photo management experience by creating companion mobile apps. LRPAD turns your iPad into a touch-based control surface for Lightroom’s Develop module, and Photosmith acts as an in-the-field pre-processing companion to Lightroom, allowing you to begin sorting, tagging, and rating photos even before adding them to your Catalog back home.

I’ve tried most of these apps, and while each of them seems logical and desirable on the surface, in actual use, none of them turn out to be what I actually want from a tablet-based augmentation of my already awesome Lightroom experience.

Housekeeping at the DMV

The work I do with Lightroom on my 27” display, at my comfortable desk, a cup of something delicious at my side, leaves little to be desired. I don’t feel a huge need to tweak develop settings on an iPhone screen, or do a bunch of metadata work in a cafe somewhere as a prelude to proper importing. How many 5D Mark III shots can I really import into my 64GB iPad? How fast will that process be? Whatever the efficiencies of organizing on-the-go might be, they seem more than obviated by the exponential increase in speed and efficiency I’ll have at home on my optimized system.

What I want from a mobile Lightroom companion is a way to utilize whatever idle time I might have here and there for productive work on my main Lightroom Catalog. I don’t want to send new photos to it. I don’t want to adjust exposure and color temperature. I just want to do what I never seem to have enough time to do at home: housekeeping.

Imagine standing in line at the DMV and using that time to add keywords to your photos from yesterday’s shoot, rather than playing Angry Birds.

Imagine you find yourself standing at a spot where you’d once taken a great shot. You whip out your phone, search for that photo in your Lightroom Catalog, and add your current GPS coordinates to the metadata with one tap.

Imagine having your entire Lightroom Catalog available for browsing and search wherever you are. You’re at brunch with your Mother-in-law and she asks you about that great photo of her and her grandson you made recently. You show her your phone and say “This one?” When she identifies it, you add it to a new Collection called “To Print For Mom” right then and there.

When I’m sitting in front of my big, beautiful iMac screen, I’m inclined to spend my time developing my photos, making them look their best. Not sorting, deleting bad shots, adding keywords, and organizing them into albums. But when I’m stuck somewhere with my phone or iPad and little to do, that’s exactly the kind of busy work I’d love to be able to pick away at.

But That’s Crazy

No, it’s not.

If there’s anything Adobe’s pushing harder than tablets these days, it’s their Creative Cloud thingy. Haven’t heard of it? That’s because it’s not all that useful. Yet.

My Lightroom Catalog, which manages 11 years of active digital photography and over 130,000 shots, is 1.6 GB. That’s just the Catalog—not the photos. 1.6 GB of thumbnails and metadata. Every night this file gets backed up to a local hard drive and to Backblaze (which is unquestionably the best cloud backup solution for photographers—seriously, do it). Some people even keep their Lightroom Catalog file on Dropbox. Even my gargantuan file would fit with the 2GB that Dropbox offers for free.

Although a Lightroom Catalog appears to be one megalithic file, it is actually a package containing many smaller sub-files, few of which are likely to be changed in a typical editing session. This means that it can be synced or backed-up incrementally, for much smaller data transfer rates.

What I imagine Adobe could do to facilitate my dream of accessing my Lightroom Catalog everywhere, is implement a Backblaze-like trickle-up syncing system. It would take a while to complete at first, working in the background whenever Lightroom was open. But after that initial sync, further updates would be relatively painless. Lightroom could warn me on quit if it wasn’t done syncing my changes, giving me the option to let it finish silently in the background before terminating.

Of course, Lightroom is only syncing my Catalog file itself, not the huge camera-original files. But along with the folders, filenames and metadata, it would also upload a small thumbnail file, to facilitate my mobile browsing.

The uploading would not be the hard part. As with any such system, the tricky aspect might be the syncing. Lightroom would have to be able to combine my local changes with those made via the mobile companion app, and possibly provide a UI for resolving sync conflicts.

Not so fun, but totally worth it. Lightroom would not only be providing its users with an excellent off-site backup plan for their valuable Catalog files, it would be giving them a truly useful mobile workflow that could transform spare moments into better photo organization.

People pay money for those kinds of things.

Busy Work is Welcome When You’re Not Busy

At The Orphanage, there was a brief period when we used a node-based compositing system that wasn’t Nuke. This application did not seem to separate its rendering threads from its UI processes, so compositors could not move or organize their nodes while waiting for their images to update. The result was that their node trees were a spaghetti-like mess.

This wasn’t because the app was slow (it wasn’t), it was simply due to human nature. When the app is done processing a frame, the artist sees the result of their last adjustment, and what they want most to do right then is respond to that by making another creative tweak. There nevrer seemed to be a good time to pause and clean house.

Nuke, on the other hand, allows the artist to freely move nodes around while the image is rendering. Again, Nuke is fast, so we’re not talking about a huge amount of time here—just hundreds of brief little windows of opportunity during a day when tidying up a node tree is so easy to do that, well, why not? There’s not much else to do while waiting those few seconds for the frame to update. Even our messiest compositors became compulsive neatniks in Nuke.

This is how I feel when sitting at Lightroom. Why should be I tagging when I can be brushing in local exposure adjustments? But catch me at the dentist’s office and heck yeah, I’d rather spend that time tidying up my Catalog than aiming enraged avifauna.

The slogan of Adobe’s Creative Cloud initiative is “Everything you need, everywhere you work.” Sounds great Adobe. Let’s have it.


Writing Kit for iOS Adds Fountain Support

Writing Kit for iOS ($4.99 on the App Store), one of my small handful of go-to mobile text editing apps, has just released an update with Fountain support.

From the Writing Kit Blog:

Today I’m excited to announce Fountain support in Writing Kit 3.2. You can now open, edit, navigate, and preview Fountain screenplays right within the app.

This is exactly the kind of thing John and I hoped would start happening, and it’s happening fast.