I was having a bit of fun today combining the 3D Camera iPhone app (Alex Lindsay’s pick of the week on MacBreak Weekly yesterday) with Plastic Bullet (his pick a few weeks ago). After brunch at the amazing Brown Sugar Kitchen, I stopped by one of my favorite West Oakland sites: the concrete plant at Peralta and 24th.
No sooner had I started snapping my stereo pairs than I heard a loud “Hey!” In front of me, a dude in a hard-hat was pointing behind me. A guy in an orange vest was trying to get my attention.
Immediately I began subconsciously preparing my customary sanctimony. This is a public street. I’m just taking snapshots. It’s my right as an American. Today we celebrate our Independence Day. Etc.
(You may recall that I blogged a while back about a PDF you should print and keep with you called The Photographer’s Right, to help you with said sanctimoniousness.)
I turned to orange-vest man and he shouted over the truck noise “Hey, would you like to go inside? The angles are better! I’m the manager here, I can take you around!”
Say what?
Leave it to Oakland to continue to surprise even a guy who’s lived there for over ten years.
He led me around while I happily snapped, and I took his business card, expressing my sincere intention to use his location in a professional shoot if ever the right job came along.
There’s no conclusion here except that I thought I’d try to balance out all the whinging I do on this blog a bit. Not all is crap in the world.
Red Giant’s first iPhone app, my first iPhone app. I’m kinda excited about this.
If you’ve ever shot with a Lomo, a Holga, a Diana, or any of the other plastic “toy” cameras out there, you know that part of the magic is the surprise factor. Did your photos turn out good? Or bad? Or so terrible they’re amazing? Just like a real plastic camera, Plastic Bullet never does the same thing twice. It develops your iPhone photos into literally infinite variations. They might look awful. They might look awesome. The good news is that you can keep tapping the refresh button until you get something you love. The look you love is yours and yours alone—not a canned preset than anyone can use.
…as soon as you’ve pressed the button to take the shot the Holga does its own thing altogether and, depending on the camera’s mood, produces either the most enormous crap you’ve ever seen, or the most wonderful image ever to have caressed your oppressed creative soul.
I was in Seattle last weekend. I carried my Canon 5D Mark II with me wherever I went, with both my 24–70 f/2.8L and my 50mm f/1.2L. I pulled it out maybe once. I was having too much fun shooting with my crappy iPhone 3GS camera and Plastic Bullet.
I know its April first, but I assure you, I am deadly serious about this: Free ProLost wallpapers for your new iPad. Right-click to download the 1024x1024 originals one at a time, or download them all in a zip archive.
They’re square so they can work in both portrait and landscape modes—the iPad crops them on the fly. Some are definitely on the busy size, but you can set a different image as your lock screen, so maybe they have a place there.
Since I don’t have an iPad yet, I don’t know which of these will work the best—please let me know in the comments which work out well for you this weekend!
These images are copyrighted, but free for you to use as wallpaper and lock screen images on your personal iPad. If you want to share them, please link to this page.
Yesterday Red Giant Software announced the release of Magic Bullet PhotoLooks. It’s the same Magic Bullet Looks you know and love, re-engineered for use on high resolution stills in Adobe Photoshop.
In case you don’t know, Looks, and now PhotoLooks, is a creative toolset for giving your images an overall cinematic look. It’s based on the model of an actual camera, with filters, lens characteristics, and film processing tricks. By accurately simulating the physics of light, glass, and celluloid, it creates a fun, creative environment for experimenting with your shots. Start with one of 100 presets, see how they’re put together, then modify them to taste—or design your own and share them with friends.
Longtime Magic Bullet Looks users will recognize the interface, presets, and tools—so much so that they might even wonder what’s new about this new version. A lot has changed under the hood, but all in ways designed not to be noticed. Here are some examples:
That PhotoLooks is a native Photoshop plug-in means that not only can you use it directly from within Photoshop, but you can also use Photoshop’s Smart Layers to keep PhotoLooks as a non-destructive adjustment that you can tweak again and again, even after closing and re-opening the file. Aharon Rabinowitz shows you how to do this in the above tutorial.
PhotoLooks contains the beginnings of a Color Management solution, so that your color-managed Photoshop workflow will match what you see in the PhotoLooks UI. Future versions will refine and enhance this feature to work with any popular color space you might care to use for your photography workflow.
The last one is the biggest change and hopefully the most invisible: The Looks rendering engine has been re-written completely to work on high-resolution stills. While working on your look, you get the fluid, GPU-accelerated experience Looks has always provided, but when you press OK, your look is rendered by the new CPU render engine that can handle the gigantic image sizes common to current-generation cameras. If you’ve used the “secret” stills feature of Magic Bullet Looks, you may have run up against limitations in resolution. That won’t happen with PhotoLooks.
What’s fun for me, as the guy who designed it, is to see a whole new legion of creative professionals exposed to the power and creativity of Magic Bullet Looks. Here are some of their impressions:
I am not exaggerating when I say that Magic Bullet PhotoLooks will re-invent the way people think about filters in Photoshop—I have never seen anything like it.
-Deke McClelland, award-winning Photoshop author, and trainer
Another favorite feature of mine is the Look Theater. I get creatively stumped with my photography occasionally, and it is so cool to be able to just sit and watch my photographs take on a new persona without me having to lift a finger.
-Justin Seeley, Photoshop trainer and graphic designer
Magic Bullet PhotoLooks is a fantastic tool, with absolutely no adoption curve.
To make a perfect look for a photo [using Photoshop’s built-in tools] can be an arduous process of changing levels, curves, diffusion, glows, spot exposure, color correction, vignetting, edge softness, etc. However, the thumbnail for each of the 100+ presets in Magic Bullet PhotoLooks instantly updates to show its effect on your photo making it really easy to compare the effect of each one.
Thursday, August 5, 2010 at 8:39PM 
Photo by Diana Stock using iPhone 4 and Plastic Bullet
