Tools

Slugline. Simple, elegant screenwriting.

Red Giant Color Suite, with Magic Bullet Looks 2.5 and Colorista II

Needables
  • Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony
  • Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic
  • TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM
  • The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    by Stu Maschwitz
Saturday
Dec082007

ProLost Holiday Gift Ideas

Got a DV Rebel on your Christmas list? Or maybe you're a DV Rebel looking to help your homies make your Hanukkah hot? Here are some ideas for you and yours.

The DV Rebel's Guide

Well, duh. So many of you have written to tell me how, after you read it yourself, you turned around and bought The Guide for all your filmmaking friends. Well that makes you awesome. Be awesome.

Drobo

I bought a Drobo not long ago, and it has added years to my life. It's a mass storage device that's smarter and more handsome that a traditional RAID. You can cram any configuration of drives into it and it will keep your data redundantly safe. Don't worry about mixing and matching drives, just throw in what's cheap and plentiful. As drives get cheaper, toss bigger ones in there. When a drive goes bad, Drobo will let you know to swap it out. My half a terrabyte of digital photos has never felt safer!

Use the "drobulator" to figure out how much storage you'll get with various drive configurations. Better to start with small cheap drives and upgrade as you need more storage. I had initially considered getting two 750GB drives, but the drobulator showed me that three 500GB drives would give me more storage for less dough.

It's not the cheapest storage solution out there, but the peace of mind and flexibility are more than worth it.

Canon HV20

Feeling generous? This little camcorder that could is still the cheapest best DV Rebel cam. Giving someone this camera strapped to a copy of The Guide with a ribbon of primacord is a great way of saying "shut up already and make a movie."

Adobe After Effects CS3 Professional Studio Techniques

Stay tuned for a longer post about this must-have book, but for now suffice it to say that Mark's venerable book is the best companion to The Guide you can find, and still the one and only book that approaches real visual effects compositing from the generalist standpoint afforded only by high-end systems like Discrete flame and, ironically, the affordable and ubiquitous Adobe After Effects. Get this massively-revised edition now, despite the sad fact that a few perfectly good pages near the front somehow mistakenly got covered with words written by some guy named "Stu."

The War of Art

In 1999 I made the most difficult decision of my life: Quiting my dream job at Industrial Light & Magic to help two friends start a little company called The Orphanage. At the core of the DV Rebel code is the impetus to do what you love, against all odds. Whenever I need a kick in the Rebel pants, I read a bit of The War of Art by Steven Pressfield. A better book on the creative process you will not find. Warning: ProLost is not responsible if you quit your job after reading this book! Well, maybe a little.

Bambi vs. Gozdilla

Another spiritual ompanion to The Guide, this is David Mamet's insightful, scathing, delightful and perspicacious perspective "on the nature, purpose, and practice of the movie business." Featuring chapters such as "How Scripts Got So Bad" and "Bringing a Gun to a Knife Fight; or, A Short Tour of the Concept of Suspension of Disbelief," this book will either teach you how to understand and navigate the strange world of Hollywood film production, or inspire you to avoid them altogether.

Baratza Maestro Conical Burr Coffee Grinder

Readers of The Guide know that I love coffee, and that the process of coffee discovery begins with a burr grinder. The Maestro is affordable and awesome. Find more coffee gift ideas in this Rebel Café thread.

Canon EF 50mm f1.4 USM Lens
or
Canon EF 50mm f/1.8 II Lens
or
Nikon 50mm f/1.4D AF Nikkor Lens
or
Nikon 50mm f/1.8D AF Nikkor Lens

Chances are you or someone you know have a digital SLR. Chances are it sports the all-purpose zoom lens that it shipped with. And chances are the photos it makes are good, but maybe a little less that what you'd hoped from this step up in photographic equipment.

By far the best treat for a digital photographer learning the wily ways of her new DSLR is a fast 50mm lens. Fast meaning a maximum aperture f/1.8 or better. Larger apertures mean more light, which means you can shoot in less light with slower ISO settings and faster shutter speeds. But most importantly, larger apertures mean shallow depth of field, which adds an extra dimension of control and velvety bitchin'-ness to your compositions.

There's a popular idea that the 50mm focal length "best approximates human vision" or whatever. That's a highly subjective idea that is best ignored, especially since it has its roots in the 35mm negative size, for which the 50mm is considered "normal," i.e. neither wide-angle nor telephoto. Unless you have a DSLR with a full-frame chip (such as my beloved Canon 5D or the badass new Nikon D3) this measure doesn't apply. On a smaller-chipped DSLR, a 50mm lens is a telephoto lens, falling into the "portrait" range—which is perfectly awesome and worth having, irrespective of all that worthless pontification about matching human eyeballs.

Both Canon and Nikon have f/1.8 offerings that are insanely affordable, and f/1.4 50's that are the best lens deals going (in terms of quality for the price). If you want to go big, Canon's EF 50mm f/1.2 L is a pimp-daddy 50 that pro photogs will respect and possibly mug you for, as is Nikon's 50mm f/1.2 Nikkor AI-S Manual Focus Lens.

Whichever of these lenses you get, learn how to put your DSLR into aperture-priority mode and spend a day "shooting wide open." You'll be embarrassed at how much better a photographer you just became!

Magic Bullet Looks

Lastly, maybe you know a filmmaker who hasn't yet treated himself to Magic Bullet Looks. How much will he love you for the gift of cinematic sexiness that is Magic Bullet?

Happy holidays all. I'm almost done with my tour of duty in Albuquerque, so look foreword to more posts and more interesting developments as we roll into the new year!

Monday
Dec032007

Navy Seals "Footprints" won something

My Navy Seals spot "Footprints" seems to have won a D Show Detroit advertising award, as reported by a car news blog that, I suppose, may have been expecting the prize to go to a car spot—which makes me appreciate their kind words about the spot, which I directed for Detroit-based agency Campbell-Ewald, all the more.

Rather than watching the distorted flash video embedded on their site, watch "Footprints" in HD on the Orphanage Commercial Productions site.

Previous entries on "Footprints"

Thursday
Nov292007

Magic Bullet Looks won something

I don't ordinarily go all horn-tooty on ProLost, but Magic Bullet Looks has been such a labor of love over the last two years that it does make me proud that it won a Digital Content Producer Vanguard Award., along with some other thingies you may have heard of like the RED One and Adobe Creative Suite 3.

As a sneak preview to our December issue of Digital Content Producer, we present our editors’ annual list of Vanguard Winners for 2007. Vanguard Awards go to the most groundbreaking new products for video production professionals that are released in the calendar year. Congratulations to this year’s winners:

Panasonic AVC-Intra
Red Digital Cinema Red One
Sony PMW-EX1 and SxS flash memory card
Adobe Creative Suite 3 Production Premium
Apple Final Cut Studio 2
AJA Video Systems Io HD
Ciprico MediaVault 5100 series
Adobe Flash Player 9
Microsoft Silverlight
Blackmagic Design Intensity Pro
Panasonic BT-LH80W
Sony BVM-L230
Red Giant Magic Bullet Looks

Wednesday
Nov212007

Dear some nerd: Please port the Box2D open-source physics engine to an Adobe After Effects Script

See, first I watched this. Then I downloaded the original Crayon Physics to my XP partition. And then I found this flash demo of the Box2D physics engine used to create that addictive game.

And then I had a full-on Ratatouille flashback to this 2D physics app I used to have on OS 9 called Interactive Physics. I used to have so much fun with that damn app. John Knoll was a fan as well and actually found a way to use motion from it in his ElectricImage animations. A classmate of mine actually created short films using it back in the early '90s when computers were beige. Funny, funny films of bad things happening to little stick figure guys.

Natsukashii desun ne.

So now that a badass 2D physics solver is just sitting there on the interwebs, free for the porting, some enterprising AE genius simply must write a script to animate 2D AE shape and solid layers this way. You'd be a hero to the AE community. Your PayPal donations button would receive literally several clicks. You'd be a man among kings.

C'mon. Do it.