Ironically it is Videography Magazine that has published the first trades article about eLin (November issue, not online yet as of this post). Ironic of course because eLin is very much designed around a film workflow, although that isn’t stopping us from using it on the Extremely Bitchin’ Movie Sin City, which was shot HD. So thanks Videography, and thanks Ed Heede for “getting” eLin and explaining it very well.
In other news I have added a link to the ProLost RSS feed, amazingly enough by request. Flattering indeed. Get your feed on!