Colorista II Tutorials

Red Giant just pushed out the last of my first series of Colorista II tutorials, so I thought I’d collect them all in one handy place for you. Probably best to watch them full-screen. Click through the text links to get iPad/iPhone-friendly versions.

In this tutorial, Director Stu Maschwitz gives a general overview of Red Giant Software's Magic Bullet Colorista II, the next generation color correction tool. Get Colorista II here: http://www.redgiantsoftware.com/products/all/magic-bullet-colorista-II/ Training by Stu Maschwitz http://www.prolost.com/
In this tutorial, Stu Maschwitz shares a workfow for using Colrista II across multiple shots. He'll share techniques in creating a consistent look, highlighting your subject,and much more. Though he uses FCP in this video, these methods will work wherever you use Colorista II. Training by Stu Maschwitz http://www.prolost.com/
In this tutorial, Stu Maschwitz demonstrates the the true power of Magic Bullet Colorista's new Keyer. You'll learn about the surprising and cool things you can do with the Colorista II Keyer - not to mention some tips and techniques for easily and quickly getting powerful results with the new tools. Training by Stu Maschwitz http://www.prolost.com/
In this tutorial, Stu Maschwitz walks you through Colorista II's Power Masks, with a focus on interaction between the masks as well as using motion tracking (in AE) to get convincing and consistent color correction. Training by Stu Maschwitz http://www.prolost.com/
In this EXCITING tutorial, Stu Maschwitz shows you how you can quickly and easily use Magic Bullet Colorista II for cosmetic skin retouching. You'll learn simple and effective techniques for subtly downplaying signs of age (such as wrinkles or skin blemishes), and giving pale skin a healthy color, without effecting other elements in your shot.
In this short tutorial, Stu Maschwitz shows you how to easily recover highlights from blown out images, using the tools in Magic Bullet Colorista II. Training by Stu Maschwitz http://www.prolost.com/

Update on 2015-02-04

Colorista III is here, and it’s better, faster, and simpler! Check out the tutorial here.

Getting Started with Colorista II

In this tutorial, Director Stu Maschwitz gives a general overview of Red Giant Software's Magic Bullet Colorista II, the next generation color correction tool. Get Colorista II here: http://www.redgiantsoftware.com/products/all/magic-bullet-colorista-II/ Training by Stu Maschwitz http://www.prolost.com/

Colorista II is available now from Red Giant Software for Final Cut Pro, Adobe Premiere Pro (see update below), and Adobe After Effects. It’s what I used to grade these before and after examples. It’s my new favorite thing, and i really hope you enjoy it.

Update

on 2010-07-22 22:32 by Stu

If you’re considering Colorista II for use in Premiere Pro CS5, please download the demo first and try before you buy. Depending on your project resolution and graphics hardware, you may see some pretty amazing performance, thanks to Adobe’s realtime Mercury Engine. However, you may also find that mouse interaction with the “Custom UIs” (the 3-Way and HSL color wheel controls) is sluggish.

Both Adobe Premiere Pro and Final Cut Pro bypass their own plug-in SDKs for their native 3-way color correctors. They use window configurations and graphics drawing routines that third-party developers don’t have access to. On some systems this can make UI interaction for third-party effects with Custom UIs slow. In the case of Premiere Pro, the slowness can be bad. Real bad.

Have you noticed that Premiere’s own 3-way color corrector has never been ported to After Effects? This is one consequence of the Premiere team’s choice not to use their own plug-in SDK. Another is that third parties cannot provide a fluid custom UI experience within Premiere Pro.

After Effects, on the other hand, “eats its own dog food,” and has no effects that don’t use the public SDK. This means that third parties can create excellent user experiences within After Effects. The benefits to us users are obvious — just look at all the amazing plug-ins available for After Effects.

Premiere Pro and After Effects actually share the same plug-in SDK. This is amazingly cool, because it means that, for example, you can start a project in Premiere, use Colorista II all you want, and then move the project to After Effects, keeping all your settings. But despite this shared architecture, plug-ins like Colorista II sing in After Effects and bog down in Premiere.

Red Giant has is committed to working with Adobe to resolve this situation. We love Premiere Pro and feel that it and Colorista were born for each other. The playback performance is amazing. We’ve done the best we can with what we have. If you try Colorista II in Premiere and find the performance lacking, please consider contacting Adobe and asking them to improve the performance of Custom UI plug-ins written to their own SDK.

Update

on 2010-07-26 16:28 by Stu

There’s a new video tutorial up today on Red Giant’s site: Multi-shot Workflow in Final Cut Pro.